One Daw that I failed to mention in my last two posts is PreSonus
Studio One 2 Pro, which I used on a project fairly recently. I started
using this program when it was Studio One Artist, and was included with a
Fire Studio interface I purchased from PreSonus.
I later Upgraded to the Pro version when it was offered at half price
and because it supports video playback which I frequently use. It has a
relatively uncluttered graphic interface but still manages to keep most
of the features available on the main screen. Thus far this has been a
very stable program and I am looking forward to using it in upcoming
projects. A screenshot is shown below. Till next time. :-) BC
Wednesday, December 17, 2014
Monday, November 3, 2014
More on DAW's...
This is a continuation, or update, to the post I made over a year ago, regarding various DAW's I use as a composer/sound designer.
I ended my previous post with a brief mention of Cakewalk SONAR X2 Producer as one of the tools I use. At that time Cakewalk was primarily owned by Roland Corp, who was very good about updating Sonar based on feedback from it's user base. Just prior to my post, and unknown to me, Greg Hendershott, the CEO and founding developer of Cakewalk had announced he was resigning. More recently, Gibson Brands had acquired Cakewalk from Roland. I'm saddened on several levels because of this acquisition, first because Gibson Brands seemed to abandon certain products they acquired, namely Opcode Vision software, the Oberheim Synthesizer product line, and Music Quest software products, to name a few. They have also taken over much of Tascam products and plan to market SONAR as part of the Tascam Professional product line. Tascam, as many may recall, had already abandoned the GigaSampler/GigaStudio line and sold it off to Garritan, who likewise seems to have abandoned what was once considered by many to be the de facto standard in Software Sampler libraries(I see no mention of the Giga product on their web site). To add to my frustration, I recently received an email from Cakewalk asking that qualified people send in applications for the position of Lead Software Developer (what happened to the previous one?). I had just upgraded from Sonar X2 Producer to Sonar X3 Producer, which I now believe might be the last upgrade from the original software team. I hope I'm wrong on this because it seemed Cakewalk was headed in a good direction with their development of Sonar.
Enough ranting, I truly hope the Cakewalk product line continues to grow, and that whoever owns it will treat it as a beloved member of their family. Now onto more pleasant things.
As I had mentioned in my previous post, the DAW I use the most is Reaper, primarily because it is very intuitive for me, very stable, very powerful, very frequently updated, by the development team, and has a very knowledgeable user base. I know, that's a lot of very's. In addition to it’s very high sound quality, the included plugins are among the best I’ve used on any platform.
Another well developed DAW platform I'm using is Samplitude from Magix. I'm using version 11.5 of Samplitude Producer, which is not their flagship product, but extremely powerful and has a visually elegant interface that I find appealing and is nearly as intuitive to me as Reaper. Samplitude feels uncluttered and visually accessible.
A couple of popular products I have not mentioned are Ableton and Reason, which are very powerful and have a well established user base. Virtually all of my work is based on linear tracking rather than clips or loops. The aforementioned products tend to excel at pattern based recording and sequencing rather than tape recorder style tracking. Included in that category is Acid Pro from Sony, which I do own but rarely use.
Well that’s a glimpse at some of the products I use, my next post will probably deal with a particular project, the tools I’m using, and the process that’s involved. Thanks for reading, see you soon. BC
I ended my previous post with a brief mention of Cakewalk SONAR X2 Producer as one of the tools I use. At that time Cakewalk was primarily owned by Roland Corp, who was very good about updating Sonar based on feedback from it's user base. Just prior to my post, and unknown to me, Greg Hendershott, the CEO and founding developer of Cakewalk had announced he was resigning. More recently, Gibson Brands had acquired Cakewalk from Roland. I'm saddened on several levels because of this acquisition, first because Gibson Brands seemed to abandon certain products they acquired, namely Opcode Vision software, the Oberheim Synthesizer product line, and Music Quest software products, to name a few. They have also taken over much of Tascam products and plan to market SONAR as part of the Tascam Professional product line. Tascam, as many may recall, had already abandoned the GigaSampler/GigaStudio line and sold it off to Garritan, who likewise seems to have abandoned what was once considered by many to be the de facto standard in Software Sampler libraries(I see no mention of the Giga product on their web site). To add to my frustration, I recently received an email from Cakewalk asking that qualified people send in applications for the position of Lead Software Developer (what happened to the previous one?). I had just upgraded from Sonar X2 Producer to Sonar X3 Producer, which I now believe might be the last upgrade from the original software team. I hope I'm wrong on this because it seemed Cakewalk was headed in a good direction with their development of Sonar.
Enough ranting, I truly hope the Cakewalk product line continues to grow, and that whoever owns it will treat it as a beloved member of their family. Now onto more pleasant things.
As I had mentioned in my previous post, the DAW I use the most is Reaper, primarily because it is very intuitive for me, very stable, very powerful, very frequently updated, by the development team, and has a very knowledgeable user base. I know, that's a lot of very's. In addition to it’s very high sound quality, the included plugins are among the best I’ve used on any platform.
Another well developed DAW platform I'm using is Samplitude from Magix. I'm using version 11.5 of Samplitude Producer, which is not their flagship product, but extremely powerful and has a visually elegant interface that I find appealing and is nearly as intuitive to me as Reaper. Samplitude feels uncluttered and visually accessible.
A couple of popular products I have not mentioned are Ableton and Reason, which are very powerful and have a well established user base. Virtually all of my work is based on linear tracking rather than clips or loops. The aforementioned products tend to excel at pattern based recording and sequencing rather than tape recorder style tracking. Included in that category is Acid Pro from Sony, which I do own but rarely use.
Well that’s a glimpse at some of the products I use, my next post will probably deal with a particular project, the tools I’m using, and the process that’s involved. Thanks for reading, see you soon. BC
Sunday, December 30, 2012
DAW's
On the subject of
DAW’s (Digital Audio Workstations) I’ve been pondering the best way to discuss
them and to describe why I use, what I use. This will not be a detailed review,
but rather an observation. So here it goes. Reaper is my go-to recording and
sequencing choice followed by Cubase 5, Logic Pro 8, and Sonar Producer_X2. For
strictly audio editing purposes I use Adobe Audition 3 followed by Audacity. I then save all tracks in .wav and .aif
formats so they can be transferred to Pro Tools for compatibility with most
studios and post production facilites. I also have Samplitude Producer as well
as PreSonus Studio One Producer which I keep for cross compatibility with other
musicians and producers. I must say at the outset that I own licenses for all
the software in my studio and firmly believe that if we use it, we should buy
it and support those who worked hard to provide it. Now on to the reasons why I use certain
software.
First in the line-up is Reaper, a complete
digital recording/sequencing solution available at http://www.reaper.fm/ for a very reasonable
cost. The interface in Reaper is very accessible and easy to wrap my head
around, while the program itself is easily the equal in power of other major work
stations. One of the main considerations for choosing a DAW for me is in it’s
ability to display video synced to audio/midi, either on the primary screen or
on a separate monitor. Reaper does this quite smoothly and is compatible with
most video formats. Most of what I do is soundtrack work and being able to view
the on-screen video with a “window burn” of SMPTE time-code is essential. Beyond
this the DAW must be quick, easy to use, and have deep editing capabilities
while being very stable. Again Reaper lives up to these criteria with the added
bonus of having a extremely customizable graphic user interface or “theme”.
Reaper Arrange Screen |
Reaper Mixer Screen |
Next in line is
Cubase 5 from Steinberg/Yamaha (I haven’t upgraded to 6.5 yet) and Logic Pro 8
from Apple. I have a long history with Cubase and began using it on the Atari platform
when it first became available. At that time it was strictly a midi-sequencer
with the added capability of printing simple music scores. It has since grown
to be a most robust program and one by which many others are measured. I truly
like this program, but it has become so feature-laden and complex as to be less
user friendly for me to use as primary software, although it looks like
Steinberg is trying to address those issues in Cubase 7. Aside from that it is
a great program and has all of the video and editing capabilities that Reaper
has. I likewise have a long history with Logic on the Atari platform and
eventually on the Mac. Though different in the early days it is now very
similar to Cubase in usage and capabilities but only available on the Mac
platform. Cubase is available for both the PC and Mac. Logic’s included
plug-ins are very good and have delivered excellent sonic results on projects
I’ve used them on.
Cubase 5 Arrange Screen |
Logic Pro 8 Arrange Screen |
Finally for this installment there is Sonar from Cakewalk/Roland. I’m using the newest version, Sonar Producer X2a. Sonar has come a long way from earlier days when it was called Cakewalk Pro Audio and had a more cumbersome interface and less accessible editing capabilities than it now has. The new interface introduced with Sonar X1 is more elegant to me and has a wonderful “Pro Channel” available for every track giving you quick access to EQ, FX, and Dynamics processing. All of the FX and Soft Instruments included with the program are extremely good and very usable. Like with Reaper and Cubase, it has the ability to display video while recording or editing.
SONAR X2 Producer |
Well that’s it for
now. I’ll cover other programs and plug-ins I use in a future post. Also bear
in mind that these are just my opinions and not to be considered particular
endorsements or detailed critiques of the above mentioned products.
Monday, November 26, 2012
Friday, November 9, 2012
Studio Tools
Synthesizers/Samplers
ROLAND
1. D-70 (Linear Arithmetic Synth (76 key controller keyboard)
2. D-550 (Linear Arithmetic Synth)
3. JV-1080 w / orchestral & vocal expanders
4. JV-880 w / orchestral expander
5. S-330 (sampler)
6. S-550 (sampler)
7. S-760 (sampler)
8. S-700 (sample player)
9. R8M w / jazz & percussion expanders (drum module)
10. RD-700 (keyboard)
11. MK-80
11. MK-80
YAMAHA
1. TG-77 (FM & Advanced Waveform Memory Synth)
2. TX-16W (2) (sampler)
3. RM50 w / sample memory expansion (drum module)
KORG
1. M1R/ex
2. 01W/R
3. EX-8000 w / memory expander
4. WS/SR Wave Station
5. S3 w/jazz card (drum module)
6. Oasis PCI
AKAI
1. S900 (sampler)
2. S950 (sampler)
3. S2000 (sampler)
4. MX73 (controller keyboard)
EMU
1. Esi-32 (sampler)
2. Proteus-1 w / orchestral expander
OBERHEIM
1. Strummer
CASIO
1. VZ-10M (rackmount phase distortion synth)
SEQUENTIAL CIRCUITS
1. PRO-ONE (vintage analog synth)
STUDIO LOGIC
1. SL-1100 (controller keyboard)
M-AUDIO
1. Oxygen 49 (controller keyboard)
MIXERS
1. Mackie LM-32
2. Mackie 1604 VLZ
3. Rane SM 82 Stereo Line Mixer
4. Behringer 32 x 8 analogue mixer
5. TASCAM TM-D1000 (digital mixer)
6. Behringer X-32 (digital mixer)
7. Behringer X-32 Compact (digital mixer)
8. (2) Behringer X1222 USB
7. Behringer X-32 Compact (digital mixer)
8. (2) Behringer X1222 USB
RECORDERS
1. Fostex D160 V2.0 (16-track digital HD recorder)
2. Fostex R8 (8-track Reel to Reel)
3. Fostex 280 (4-track cassette)
4. EMU Darwin (8-track digital HD recorder)
5. TASCAM 3440 w / 4 channels of DBX noise reduction (4-track Reel to Reel)
6. TASCAM DA-88 16-Track System [(2) 8-track MDR’s]
7. TASCAM DA-40 (DAT)
8. TASCAM MD301 MKII (mini-disc)
9. TASCAM DR-07 (portable 2-track digital recorder)
10. DENON D720R (cassette tape)
11. Revox A77 (1/4-track Reel to Reel)
12. SONY MD37 (portable mini-disc recorder)
13. SONY PCM60 (digital 2-track PCM w/super-VHS recorder)
14. AKAI DR-4D (4-track digital HD recorder)
15. Alesis 24-Track ADAT system w/BRC
STUDIO MONITORS
1. Tannoy PBM-8 (pr)
2. YAMAHA NS-A638 (4)
3. Kenwood 10” Powered Subs (2)
4. Sony SS-MB100H passive Studio Monitors (pr)
5. Klipsch 8" Powered Sub
5. Klipsch 8" Powered Sub
COMPUTER SYSTEMS
1. (2) Mac Pro quad-core 2.67 Xeon w/8 gigs ram 1.5 terabytes hd (Snow Leopard 10.6.8)
2. (2) Power Mac G5 2.5 ghz dual processor w/2 gigabytes ram (Leopard 10.4)
3. (2) Rackmount AMD Phenom II X4 965 3.4ghz quad-core w/4 gb ram 1 tb hd (Win 7)
4. Toshiba A505-6965S laptop 2ghz Intel dual-core w/4 gigs ram 500 gig hd (Win 7)
5. HP Envy dv7 laptop 2.3 ghz A10 quad-core w/8 gigs ram 1 terabyte hd (Win 8.1)
6. Samsung Galaxy Tablet
6. Samsung Galaxy Tablet
RECORDING SOFTWARE
1. Logic Pro 8 (Apple)
2. Cubase Pro 9.5, 6.5, 5.53, SX3 (Steinberg)
3. SONAR Platinum (Cakewalk)
4. Samplitude Producer 11.5, MS2017 (Magix)
5. Reaper 5+ (Cockos)
6. Audition 3 (Adobe)
7. Sound Forge 9 - Acid Pro 6- Vegas 7.0 DVD+ VEGAS Pro Studio (Sony/Magix)
8. Studio One Ver.3+ Producer (PreSonus)
9. Waves Tracks Live
10. Audacity
10. Audacity
AUDIO / MIDI INTERFACES
1. FireStudio Project (PreSonus) Firewire
2. GINA 24 (Echo) Pci
3. GINA 20 (Echo) Pci
4. M-Audio Delta 24/96 (3 units) Pci
5. Lexicon Alpha Usb
6. Lexicon Core-2 Pci
7. Alesis iO2 (2)Usb
8. Emu 1212 Pci
9. Emu 0404 (2) Pci
10. Steinberg VSL-2020 Pci
11. Steinberg Midex-8 (2) Usb Midi Interface
12. MOTU Midi Express 128 Usb Midi Interface
13. MOTU Micro Express Parallel Port Midi Interface
14. Midiman Midi Sport 2X2 Usb Midi Interface
15. KMX-Midi Central midi patchbay
16. Akai ME-80P midi patchbay
17. Kawai MAV-8 midi patchbay
18. Digital Music Corp. MX-8 midi patchbay
19. Tascam US-1800 16-ch usb interface
20. PreSonus AudioBox usb interfce
21. (2) Behringer X-32 USB 32x32 channels (total 64 channels)
19. Tascam US-1800 16-ch usb interface
20. PreSonus AudioBox usb interfce
21. (2) Behringer X-32 USB 32x32 channels (total 64 channels)
OUTBOARD PROCESSORS
1. KORG A3 multi-effects
2. Roland SRV-2000 reverb
3. Roland RSP-550 multi-effects
4. Boss SE-70 multi-effects
5. Boss NS-50 expander/gate
6. Digitech RP-1 multi-effects
7. Digitech DSP-256XL multi-effects
8. Alesis Midiverb II & III
9. Alesis Quadraverb multi-effects
10. (2) DBX 166 compressor
11. (2) JBL Quad Noise Gate
12. Behringer Composer 2-channel compressor
13. Behringer Vintage Tube 2-channel mic preamp
14. Behringer Pro Voice preamp/vocal processor
15. Behringer Virtualizer Pro multi-effects
16. Behringer Pro EQ-31 band stereo equalizer
17. Behringer 4-channel headphone amp
18. Behringer SHARC preamp/digital feedback supressor
19. PreSonus BlueTube 2-channel mic preamp
20. Aphex Tubessence 2-channel mic preamp
21. Joe Meek VC3 Classic mic preamp w/optical compressor
22. Phonic 31-band Dual Graphic EQ
23. Lexicon Alex reverb
24. Yamaha SPX-90
25. Yamaha SPX-90II
26. Yamaha SPX-900
21. (2) Behringer ADA 8200 8-Channel Mic Pre's W/adat
21. (2) Behringer ADA 8200 8-Channel Mic Pre's W/adat
SOFTWARE INSTRUMENTS
1. GigaStudio 3 / Ensemble (Tascam)
2. GigaStudio 2 / 96 (Tascam)
3. GigaSampler 1.64 (Nemesys)
4. Halion 1, 2, 3 (Steinberg)
5. NI Komplete 11+ including Kontakt 5 and bonus instruments (Native Instruments) *
6. Kontakt 1 (Native Instruments)
7. Kontakt 4 (Native Instruments)
8. Roland Cloud (D-50, JV-1080, Juno-106, Jupiter-8, etc.)
9. ReBirth (PropellerHeads / Steinberg)
10. Emulator-X (Emu)
11. Emulator-X3 (Emu)
12. Proteus-X and Proteus VX (Emu)
13. EWQL-Symphonic Orchestra Gold Complete (Play version)
14. EWQL-Symphonic Orchestra Gold Complete (Native Instruments version)
15. EWQL-Symphonic Orchestra Silver (Native Instruments version)
16. EWQL-Symphonic Choirs w/VOA
17. Battery-1 (Native Instruments).
18. Pro-52/53 (Native Instruments)
19. FM7 (Native Instruments)
20. Dimension Pro (Cakewalk)
21. Rapture (Cakewalk)
22. Z3TA+ (Cakewalk)
23. Z3TA+2.1 (Cakewalk)
24. Pentagon 1 (Cakewalk)
25. Session Drummer 2 (Cakewalk)
26. Korg Digital Legacy (M1, Wave Station, Mono-Poly, MDE-X)
27. Korg Oasis PCI
* see below list of Komplete 8 instruments and plugins
Komplete 8, 9, 10, 11 Ultimate (Native Instruments)
Instruments
1. Kontakt 5
2. Reaktor 5
3. Absynth 5
4. FM8
5. Battery 3 and 4
6. Massive
7. Studio Drummer
8. Reaktor Spark
9. Prizm
10. Razor
11. Abbey Road 60’s, 70's, 80's, and Modern Drums
12. West Africa
13. Retro Machines Mk2
14. Vintage Organs
15. New York Concert Grand
16. Berlin Concert Grand
17. Vienna Concert Grand
18. Upright Piano
19. Session Strings
20. Scarbee A-200
21. Scarbee Mark-1
22. Scarbee MM-Bass
23. Scarbee Clavinet/Pianet
24. Session Horns
Plugins / FX
24. Session Horns
Plugins / FX
24. Guitar Rig 5
25. Ramfire
26. Transient Master
27. Traktors 12
28. Reflektor
29. The Finger
30. The Mouth
Freeware Softsynths
1. MicroTera (VirSyn)
2. Triangle II & Square 1 (rgc/Cakewalk)
3. Plex II (Wolfgang Palm)
4. String Theory (Ugo)
5. Protoplasm (HG Fortune)
6. UltraSonic (EVM)
7. Chimera (Majken Hoglund)
8. SQ8L (Siegfried Kullmann)
9. INTRO (Boris Kovalev)
10. NoiseMaker (TAL)
11. Uno-62 (TAL)
12. Rivitar (Cutter Music)
13. Independence Free (Yellow Tools / Magix)
14. Proteus VX (Emu / Digital Sound Factory)
15. FM4 (GTS)
1. Peter Siedlaczek’s Advanced Orchestra Volumes 1-5 (Akai)
2. Peter Siedlaczek’s Orchestral Colours (Akai)
3. Peter Siedlaczek’s Orchestra Plus (Audio)
4. Peter Siedlaczek’s Orchestra (Akai)
5. Akai Professional CD-3000 Sound Library (Akai)
6. Sampling Sound Systems Country (Akai)
7. Sampling Sound Systems Laidback Drum Tools (Akai)
8. Audio Adventures Symphonic Adventures (Audio)
9. ProSonus Electronic-1 (Audio)
10. ProSonus Sampler Sampler (Audio)
11. Pro Samples Vol-13 Choirs (Akai)
12. Pro Samples Vol-16 Guitar & Bass (Akai)
13. Pro Samples Vol-20 Orchestral Brass (Akai)
14. Sampleheads New York City Drumworks (Audio)
15. Bigga Gigga Orchestral Brass French Horn (Giga)
16. Bigga Gigga Orchestral Brass Tuba (Giga)
17. X-Sample Sample Library Volumes 1-13 (Giga)
18. Yellow Tools Pure Guitars (Giga)
19. Yellow Tools Pure Drums (Giga)
20. Quantum Leap Brass (Emu)
21. ToonTrak DFH (Giga)
22. Emu Esi-32 Production Soundset (Emu)
23. Dean Jaeger Master Violin Library (Roland 700 Series)
24. Native Instruments Sound Libraies Studio Drums (NI-Battery/Kontakt)
25. Digital Sound Factory Proteus Pack (Kontakt)
26. Digital Sound Factory Proteus Virtuoso 2000 (Dimension Pro)
27. Digital Sound Factory Proteus 2000 (Dimension Pro)
28. Digital Sound Factory Proteus 1-3, Orbit, MoPhatt (Emulator-X, SF2)
29. Digital Sound Factory Proteus PX-7 Drums (Dimension Pro)
30. Digital Sound Factory Filmscore (Rapture)
31. Digital Sound Factory Symphonic Strings HD (Dimension Pro)
32. Digital Sound Factory Ultraspheres (Z3TA+2)
33. Digital Sound Factory Vintage Keyboards (SF2)
34. Digital Sound Factory Emu Proteus 1 (SF2)
35. Garritan Pocket Orchestra (Dimension Pro)
SOFTWARE FX PLUGINS (purchased)
1. MDE-X Digital Legacy Effects Plugin (Korg)
2. Saturation Knob (Softube/Cakewalk)
3. PC Leveler (Cakewalk)
4. FreeFilter EQ (Steinberg)
5. Dynasone Mastering Plugin (Steinberg)
6. Loudness Maximizer (Steinberg)
7. Valhalla (all Verbs, Echo, and Chorus)
8. Sonitus (all) (Cakewalk)
iZotope RX-5 Standard and RX-6 essentials
WAVES Plugins: (over 180 including all Signature Series and most Premium Bundles)
7. Valhalla (all Verbs, Echo, and Chorus)
8. Sonitus (all) (Cakewalk)
iZotope RX-5 Standard and RX-6 essentials
1. De-Click Click Removal
2. De-Clip Clipping Reducer
3. De Hum Hum Removal
4. Dialogue De-Noiser Hiss and Noise Removal
5. Vinyl Vinyl Record Simulation
1. Chris Lord-Alge Signature Series (all)
2. Manny Marroquin Signature Series (all)
3. Maserati Signature Series (all)
4. Jack Joseph Puig Signature Series (all)
5. Abby Road Signature Series (all)
6. Eddie Kramer Signature Series (all)
7. API Signature Series (all)
8. Scheps Signature Series (all)
9. Greg Wells Signature Series (all)
10. Dorrough Series Meters precision VU/Broadcast meters
11. C1 Compressor
12. L1+ Ultra Maximizer Ultra Maximizer
13. IR-L Convolution Reverb
14. True Verb Algorithmic Reverb
15. S1 Stereo Imager
16. Q10 Multi-Band EQ
17. Doubler Doubler
18. DeEsser DeEsser
19. Super-Tap Multi-tap Delay
20. L3 Multi-Maximizer Multi-Maximizer
21. L3 Ultra Maximizer Ultra Maximizer
22. MV2 Dynamics Processor
23. H-Delay Hybrid Delay
24. C6 MultiBand Compressor
25. Trans-X Transient Processor
26. Element 2.0 Modeled AnalogSynth
27. Renaissance Reverb Vintage Reverb
28. Renaissance Series (all)
29. Da Breath Breath removal and Speech Processor
30. 360 Surround Tools
31. Forensic Bundle
32. Diamond Bundle
33. Puig Compressors Vintage Compressor
34. Puig EQ's Vintage Pultec Type EQ's
35. Wave-Tune LT Basic Tune Correction
36. Waves Tune Advanced Pitch Processor
37. H-Delay Hybrid Delay
38. H-Reverb Hybrid Reverb
39. H-Comp Hybrid Compressor
40. H-EQ Hybrid Equalizer
41. IR1 Convolution Reverb
42. L1-Limiter Limiter
43. NS1 Noise Supression
44. Ultra Pitch Pitch Shifter/Harmonizer
45. Linear Phase EQ Linear Phase Multi-Band EQ
46. Linear Phase Multi-Comp Linear Phase Multi-Band Comp
47. Kramer HLS-Channel Vintage Console Channel
48. LoAir Lo Frequency Enhancer
49. In-Phase Phase Compensation Processor
50. Center Center-Side M/S Processor
51. V-Comp Vintage Series Compressor
52. V-EQ4 Vintage Series EQ
53. GEQ Classic & Modern Graphic EQ
54. UM225/UM226 Stereo to 5.1 Surround Up-Converter
55. Sound Shifter Pitch Shifter/Modulator
56. PS22 Stereo/Mono Field Enhancer
57. Doppler doppler pitch effect
58. Morphodor Vocorder effect
59. F6 Dynamic EQ Floating Dynamic EQ
60. Audio Track Channel and Tracking Tool
Freeware FX Plugins
59. F6 Dynamic EQ Floating Dynamic EQ
60. Audio Track Channel and Tracking Tool
Freeware FX Plugins
1. Blockfish (digital fishphones) *outstanding compressor, superb on drums easy to use
2. Classic Bundle (Kjaerhas) *good group of classic bread & butter effects
3. Modern Plugins (Antress) *severable usable emulations of hardware processors
4. Variety Of Sound Plugins (Boot/Nasty Series) *a great group of very usable plugins
5. GlaceVerb (DaSample) nice reverb
6. Electri-Q (AiXcoustic Creations-posihfopit edition)
7. ReaPlugs Bundle (Cockos) *free group of plugins from the Reaper DAW, very good!
8. HybridReverb 2 (Christian Borss)
9. SupaPhaser (Smartelectronix)
10. RoughRider (Audio Damage)
11. Spinner LE (NuBi) *very good rotary speaker effect
12. Elottronix XL (elogoxal) *simulated tape delay flanger effect
13. X-cita (elogoxal) harnonic exciter
14. Canadian Metal Pack (AcmeBarGig-LePou) *very good guitar amp, fx, cabinet sims
15. Brodcast Processor (Jeroen Breebaart)
16. TLs 4032 Pocket Limiter (Tin Brooke Tales Sofware Project)
17. BuzzRizerLite Spectral Compressor (Trifex) *very useful
18. TAL Plugin Bundle *several very good and easy to use plugins
19. Many many more
MICROPHONES
Numerous condensor, dynamic, and ribbon mics from:
Sennheiser, EV, Sony, Audio Technica, Shure/Stromberg, RCA, CAD, Sterling,
Marshall, Nady, Oktava, Blue, Digital Reference, GLS, Ramsa, Peavey, DR, and more.
Marshall, Nady, Oktava, Blue, Digital Reference, GLS, Ramsa, Peavey, DR, and more.
GUITARS
1. Charvel Jackson w / Floyd Rose Tremolo
2. Ibanez Blazer w / Kahler Tremolo
3. Ernie Ball 5-String Electric Bass
4. Takamine 6-String Acoustic
5. Epiphone 12-String Acoustic
6. Elektra 6-String Hollow Body Electric w/tremolo
7. Cort Flying-V type 6-String Electric w/ built-in FX
Various Percussion Thingies, Odds & Ends, and Stuff.
Subscribe to:
Posts (Atom)